REVIEWED: Annie Mac Presents at Warehouse Project

Abi White | 13th October 2018

Radio 1 DJ and new music guru, Annie Mac, brought a solid line up along with her for the now seemingly annual show at the warehouse project, ‘Annie Mac presents’. With it being her 12th time performing at the venue, Mac is an iconic artist that has shaped the way warehouse project has grown.

 

With the ability to spot talent a mile off, Mac carefully handpicked a line up loaded with the best on the scene; from the likes of mall grab, Honey Dijon and Melladee appearing alongside her to name a few. Whilst gritty tech could be heard from Chaos on the CBD in other rooms, the focus of the curated evening consisted of disco and house in the main room.

Chicago born Honey Dijon’s set was a highlight of the night, as she paved her way through classic house hits dating back to before most of the audience were born. None the less, they still appreciated and belted out the classics at the top of their lungs, with Crystal Waters’ – Gypsy Woman encouraging a choir like ‘la da dee la da da’.

Honey Dijon

When Annie Mac appeared on stage at 2am, she was met with a rapturous applause before delving into the best of disco, house and a pinch of techno. Solidifying those holiday vibes, Mac proved why she has been asked to perform at Warehouse Project so many times.

 

Although it has a distinct feel to it, Warehouse Project as a venue itself is starting to look like it’s seen better days. With water leaking from the ceiling and a flood around the short supply of portaloos, the price of a ticket (£25-40) seems questionable to stand in a converted car park.

 

Cutting out the smaller promoters during warehouse project season too, the move to a better suited venue next year is highly anticipated. With venues, such as Printworks in London on the scene now, Warehouse Project are going to have to up their standards in order to compete in line with the competition.

 

Nonetheless, even though the venue has its flaws, it has treated the city of Manchester incredibly well in the growth of electronic music and it will still be sorely missed when Warehouse Project relocates next year. (Sacha, if you’re reading this, can we have proper toilets at the next venue).